Testament – Brotherhood of the Snake

More than four years have passed since Testament released their previous album, Dark Roots of Earth. A couple of years ago, the band’s bassist Greg Christian left for the second time, and Steve DiGiorgio has since stepped in to replace him. According to the band’s core members, vocalist Chuck Billy and guitarist Eric Peterson, Brotherhood of the Snake was a difficult album to make. But after a few listens, it becomes clear that the band’s musical direction remains closely aligned with that of the previous two records. So, the struggles may not have stemmed from a lack of vision, but rather from creative tensions between Peterson and Billy.

Regardless, the new album follows a formula that has proven successful – one that began with 2008’s The Formation of Damnation. What we have here is a thrash metal album that blends the band’s rich legacy with the more modern elements introduced in that 2008 return.

Like its predecessor, the album is mixed by Andy Sneap, and sonically, it doesn’t offer any surprises. It’s a professionally produced release with a well-balanced mix, and the solid presence of DiGiorgio’s bass adds warmth and depth – qualities often overlooked in modern production.

So if the production, songwriting, and performances are all solid, yet not groundbreaking, what is it that elevates this album beyond just being another well-made release by a group of highly competent musicians? That extra something comes from the performances of the rest of the band: lead guitarist Alex Skolnick, drummer Gene Hoglan, and the aforementioned bassist Steve DiGiorgio.

Skolnick has always been Testament’s secret weapon, and it’s no coincidence that he’s been part of all the band’s strongest albums. There’s something distinctive about his tone and playing style that’s instantly recognizable, whether he’s performing with Testament, Metal Allegiance, Savatage, or anyone else. He also has a refined sense of melody and overall song structure. His solos not only complement the core of each track but often take the music in unexpected and exciting directions.

DiGiorgio may be the “new guy” in Testament, but he’s a seasoned and highly distinctive player. He’s given plenty of room to express himself, both within individual songs and in the overall mix.

Last but not least, Gene Hoglan delivers one of the strongest drum performances of his career on Brotherhood of the Snake. I’ll admit that, despite his otherworldly technical ability, I’ve never been a huge fan of his style – especially in a live setting. His playing has often struck me as too mechanical or sterile. But here, he sounds far more inspired and creative, delivering a performance that genuinely stands out – and even makes me reconsider some of my earlier criticisms.

From start to finish, Testament are fully in control on this record. That may mean there’s not a lot of raw edge or danger in the music, but it also means this is an extremely tight and well-crafted thrash metal album. And right now, it’s a lifesaver while we wait for the next Kreator release.

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