
Labyrinth Entrance – Deplore The Vanity
19th January 2022
Gorebag – Tethered To The Wicked Domain
31st January 2022Ashes Of Ares – Emperors and Fools
Label: Roar / Release date: 21st January 2022
The 2013 self-titled debut from Ashes Of Ares—a band formed by former members of Iced Earth—was a prime example of impeccable metal music, rooted in the classic approach perfected by the likes of Judas Priest, Nevermore, and Iced Earth.
Unfortunately, the follow-up Well of Souls, released five years later, failed to deliver on the same level. Another four years have passed since then, and the band has now returned with their third album. From the outset, it’s clear that they’ve abandoned the hazier production of Well of Souls, opting instead for a sonic direction more in line with their debut. That choice serves both the band and Emperors and Fools well.
There’s a more bombastic quality to the sound on the new album, matched by the songwriting and performance. The band sounds as ignited as they did on their debut—this is a clear step up from the sophomore release.
More importantly, the core songwriting is significantly stronger, with more focused delivery and arrangements. This benefits the album’s flow and gives it a more cohesive feel, despite the complexity within the music.
Matt Barlow’s signature blend of high and deep vocals creates a unique atmosphere that plays a massive role in defining the band’s sound. Meanwhile, Freddie Vidales has noticeably stepped up his riff game compared to Well of Souls. His guitar leads—and even the softer, atmospheric passages—are executed with precision and emotion.
With the songwriting intact, the band delivers a varied yet unified experience across the album. Tracks like “I Am the Night” and “The Iron Throne” offer straightforward heavy metal, while “Gone” and “Primed” play with dynamics. Songs such as “Emperors and Fools” and “Monster’s Lament” showcase the band’s progressive side.
There’s a consistent intensity and theatrical flair running through the album, which complements the improved production. A perfect example of all these elements coming together is the aforementioned epic closer, “Monster’s Lament.” It wraps up the album in a style reminiscent of late-’80s Helloween epics, but infused with everything that defines Ashes Of Ares. The track also features a guest vocal appearance by former Judas Priest singer Tim “Ripper” Owens.
It took Ashes Of Ares a long time to release their third album, but it marks a return to form and clear artistic growth. Hopefully, they’ll continue evolving in this direction moving forward.



