
Mammoth, 24th June 2026, Hades, Copenhell Festival, Denmark
24th June 2026
Suicidal Tendencies, 24th June 2026, Hades, Copenhell Festival, Denmark
25th June 2026Alice Cooper, 24th June 2026, Helviti, Copenhell Festival, Denmark
Alice Cooper, 24th June 2026, Helviti, Copenhell Festival, Denmark
Photo: Goran www.urbanmescalero.com
With the magnificent The Revenge of Alice Cooper album from the Alice Cooper Band in the bag, one could have hoped that Alice Cooper would play a few songs from it on his solo tour, but no such luck. The Alice Cooper Bandβs first new album since 1973 was unfortunately not represented yesterday when Alice Cooper took the main stage at this year’s edition of Copenhell.
Accompanied by the band that has been with him for some time now, including the last time they played the festival, seeing Alice Cooper in 2026 means you pretty much know what you’re going to get. The only unknown was Anna Cara, who is stepping in for Nita Strauss while she is on maternity leave. The 22-year-old has some big shoes to fill – not only Straussβ but also those of the long line of outstanding guitarists who have shared the stage with Cooper over the decades.
And at the age of 78, with six decades of live performances behind him, you would think it might start to show, but Cooper still delivers with passion, a flair for entertainment, and, above all, professionalism . βSpark in the Darkβ has found its way back into Cooperβs setlist in 2025 and for the first time since the late β80s, when it was originally released. The drive it has on the record did not quite translate live, but by the time βNo More Mr. Nice Guyβ hit, Cooper had gained a better hold on the audience, a grip he only tightened over the course of the next few songs.
Apart from playing the majority of his live classics from different eras of his career, Cooper also served up a few surprises – the biggest being the magnificent βDangerous Tonight.β Who would have thout we’d get to experience that live in Denmark.
βPoisonβ is, of course, one of the highlights of the show, which makes the uneven follow-up, βBrutal Planet,β fall even flatter. βBallad of Dwight Fryβ also seemed to go over most peopleβs heads but it was such a strong display of nunaces in the band’s performance.
βSchoolβs Outβ was another of those expected sing-along highlights, but it did not close the show, as is so often the case. Instead, another big surprise followed: a cover of Nirvanaβs βSmells Like Teen Spirit,β which on paper should fail as hard as it gets, but actually worked rather well. And if he is ever going to perform that song, then I guess a festival show is a good place to do it.
Alice Cooper has always ben accompanied by good players, and it is such a pleasure to watch them play and command the stage. True professionals. As for Cara, she also did her job very well and, on top of that, carried herself in a nonchalant yet convincing manner.
At almost 80 years old, Alice Cooper is still standing strong – both when it comes to creating new music and, by all means, when it comes to performing six decadesβ worth of music live.
SETLIST:
- Hello, Hooray
- Who Do You Think We Are
- Spark in the Dark
- No More Mr. Nice Guy
- House of Fire
- I’m Eighteen
- Feed My Frankenstein
- Dirty Diamonds
- Hey Stoopid
- Dangerous Tonight
- Poison
- Brutal Planet
- Ballad of Dwight Fry
- Cold Ethyl
- Only Women Bleed
- Second Coming / Going Home
- School’s Out
- Smells Like Teen Spirit








